Creating a Calendar

Text and Photography Copyright Dave Uhlig - All rights reserved.

A calendar you say! I would love to put those great big pictures of my fabulous photographs in a twelve-image calendar for all the folks to buy. That is the thought that most photographers have when November and December come around and all the cool landscape and puppy dog calendars for the next year come out. Actually getting from taking great images to having someone hang your work in their kitchen can be a lot harder than it appears. Fellow fire fighter Pete Phillips and I are in charge of getting 1000-1200 calendars published and ready to roll every year. I thought a little insight into how we get this accomplished would be some great information for everyone here!

Editor's Note: Thumbnails are links to larger images

Pete and I are co-editors of The Inferno, a bi-monthly publication produced by the International Firefighters Union, Local 385. We have a circulation of around 1500. With this responsibility comes the task of producing a raffle calendar every year. When Pete and I took over the editorial responsibilities two years ago, the calendar was very basic: one image with tear off sheets stapled below for each of the twelve months. With me handling all the photographic duties of our magazine, I figured a twelve-image flip thru calendar was the direction we needed to go.

One of the first major obstacles we have had to overcome is monetary. Producing the twelve-image calendar meant raising the printing costs from around $1000.00 to over $4000.00! I almost fell out of my chair when we got the initial bid back from the printing company. How were we going to come up with the funds to get this thing printed? Sponsors. I put together a three ring binder with all the images we intended to use, and started knocking on doors. We got very lucky in the fact that ING Financial is a major player in our retirement, and they were willing to pick up the tab. With that hurdle accomplished, it was on to actually putting this thing together.

Our next step was tweaking our software to work in a calendar format. We currently use a fairly old version of Quark Express 4.0 to print our magazine. We figured this could work for building the calendar. With help from our publisher, we went about configuring the calendar from scratch. This included building the months with the days in the boxes, to inputting the sponsors' logos, and adding the images. This was a monumental task! We put it all together: every line and every piece of artwork. I thought I could just take some cool photos and throw them on some paper! Things don't usually work out that easy. The great thing about setting up the calendar from scratch, is that we now have the template saved. This year it took about a quarter of the time to put it all together. We had to do the obvious date changes, but aside from the change in images, pretty much everything else stayed the same.

There were some complaints last year that there weren't enough fire and action images in the calendar. I underestimated my audience and went for a more, "touchy, feel good", calendar last year. Most of the people on the job screamed, "we want flames and action!" I was lucky this year to have covered some great fires, and the new images should be a big improvement.

This brings up a great point; know your audience. The photographic industry is inundated with beautiful landscape and flower calendars. Will your work stand out from all the great stuff being captured already? And, who is going to purchase what you are shooting? I came to realize that my customers are mainly firefighters and their families, and have attempted to make the images fit what they want to buy.

This is a huge point that I think a lot of photographers underestimate and lose sight of. 'Who is going to purchase my work?' should be a driving question while you are out shooting if you want to make any money in this business. I will pass up taking pictures sometimes simply for that reason. I may see a beautiful sunset, but if I don't believe I have an audience for that particular image, is it worth stopping the car and making my family wait while I snap away? If photography is purely a hobby, then by all means, stop the car and make the family wait!

I hope some of this information will help folks see what it takes to put a product together that people will actually buy. I have included the images for this year's calendar. Feel free to email me if you have any questions. I never imaged that Pete and I would be in charge of such a monster. But after doing this once already, we seem to be on the right track, and profits are scheduled to be up this year! I guess that is about all you can ask for.



About the Author

Dave Uhlig is a staff member of TPN, and more of his work can be seen on his website, Photo Omaha.

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