Winter along the New England Coast
Text and Photography Copyright Gary Stanley - All rights reserved.
"The grass is greener on the other side!" There probably isn't a photographer around
that hasn't heard that expression. As a travel photographer, when someone mentions
a travel destination, what comes to mind? The vast Southwest? Florida birds? A national
park someplace? A trip to Europe? Yes I am setting you up! So often we have the
tendency to overlook travel destinations closer to home. Take the New England Coast
in winter for example. I'm no different than you, and after the start to this winter,
I'm having visions of 75 degree temperatures, palm trees and a nice cool drink.
When cold winter temperatures set in, we have a natural tendency to want to hibernate,
and I'm no different. One of my most popular lectures is entitled; 'Getting the
Most Out of Your Photography.' In the lecture, I mention a word that is so vital
to the success of a photographer and to his or her images, and that's effort.
No, not luck as you might think, although that plays a part. To me, effort is the
acting upon that luck, and knowing what to do with it.
Putting forth the effort to explore the beautiful New England coastline, especially
during the winter months, can be a very rewarding and worthwhile trip. I'm fortunate
in that I live along the New England coastline and have photographic opportunities
more often than most. So let's take advantage of my experience living here year
round, letting me share with you some tips on making the New England coast a travel
destination, yes, even in winter.
Details Come First: If you happen to live within a few hours of the New England
coast, it is always helpful to keep a watchful eye on the weather. Most of my winter
images are from coastal Maine and Massachusetts. While we can get some nasty weather,
we generally stay five to ten degrees warmer than just ten miles inland. So if you're
looking to photograph a lighthouse with snow on the ground, you're going to have
to watch weather conditions quite closely.
Let's say I want to do some shooting in Acadia National Park up in Maine. It's a
great place to shoot winter photography, but snow on the Island doesn't come as
frequently as it does inland, so when I see the potential for snow there, I'll reserve
a room at a Bar Harbor hotel and head up north. If you don't live in New England
and want to make the trip here successful, I recommend coming up in February or
March to increase the odds of there being snow. As I say that of course, this year
so far has been the exception with heavy snows and cold weather in early December
and January.
If your schedule is flexible and you can catch a flight out with minimal effort,
watch the extended weather forecast on the weather channel, or go on-line to the
National Park site to see what Acadia is getting for weather. www.acadia.national-park.com/weather.htm
Dress Warm: If you take care to dress warm and in layers, you'll be able
to photograph quite comfortably here in winter. It's usually the dampness and the
wind that will get to you before the actual temperature will. While the past few
weeks have been brutal here in terms of sheer cold temperatures (-10 degrees), this
is in no way meant to scare you away from a trip along the New England coast. I
have been more than rewarded for my efforts, having been able to photograph sea
smoke here in Massachusetts, something you rarely see this far down the coast.
Don't worry though, if you are not as hearty as some when photographing in winter,
I have a secret weapon against the cold!
Special Secret Equipment: Don't overlook one other very important tool for
successful winter photography: your car! Or more precisely your car's heater. If
you are not equipped for an arctic expedition, why not find locations that allow
easy access from your car? Most of the photos in this article were taken within
ten minutes or less from the car.
Camera Care Tips: Most cameras made today are well equipped to handle the
kind of winter shooting that I am talking about here, and they don't need to be
winterized the way the old cameras did. However, a fresh set of batteries in a warm
pocket is definitely a good idea.
Remember this: "You can take a warm camera out in cold weather, but you can't take
a cold camera suddenly into a warm environment." The other great thing about using
your car as your home base is that your camera has time to warm up gradually using
a car's heater, and the car will have cooled down during the time you spent outside
shooting, so condensation is not an issue. Condensation will become an issue if
you go from the outside cold into a warm house or hotel, for example. Then it would
be a good idea to put your camera into a large gallon-size zip-lock plastic bag
sealing it so that when you do bring the camera in the house, condensation will
form on the bag and not the camera.
Metering Snow: Here are some metering suggestions should you encounter snow.
If your subject is snow or contains a lot of snow, you may have to compensate for
your meter's suggested setting as it will be fooled by the bright snow. If you meter
and expose for snow at the camera's suggested setting, chances are your snow will
be underexposed and look very gray. If you want white snow to appear that way on
film, you must add light to that subject. I use my camera's spot or center metering
selection to meter the snow in bright sunlight and add about one and a half to one
and two-thirds more stops of exposure than the camera's suggested meter reading.
This will help to maintain some detail in the snow. Two stops will usually be too
much. On overcast days, I only open up about one stop to a stop and a third. Don't
plan on seeing too much shadow detail because there won't be any.
The Reward: As with most any effort related to photography, I am rarely
disappointed with the end results, even when shooting in the cold. If you're willing
to put up with a little cold weather, dress for it, and do a little homework, you'll
find that the New England coast can be one of your most memorable shooting destinations.
About the photos - The images to the right are thumbnail links to larger
images with descriptions, which are presented in a slide show format.
About the Author
Gary W. Stanley is a nationally known professional nature and landscape photographer
based in New England. Gary leads popular photo tours and seminars throughout North
America. He is a contributing editor for
Nature Photographers Online Magazine, and a popular speaker at the annual New
England Camera Club Council conference held each year at the University of Massachusetts
in Amherst. Gary is a skilled photographer with unique artistic vision, and his
ability to teach his skills is equally impressive.
Gary has numerous photo and writing credits including national magazine articles
and covers. Gary recently concluded a photo assignment shooting an icing research
project on Mt. Washington for NASA. Much of Gary's landscape and nature photography
can be seen in New England calendars and post cards. Gary's work has been featured
in Outdoor Photographer, Popular Photography, and American Photography
magazines.
Gary is also part of the well-known Fuji Professional Talent team of speakers who
lecture on behalf of Fuji Professional films at various seminars around the country.
Visit Gary's web site at www.light-chasers.com.
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